Curriculum Vitae

Education

2017

PhD, Simon Fraser University

1999

MA in Liberal Arts, Simon Fraser University

1988

Diploma in Fine Arts, Emily Carr University

Art exhibitions, performances, etc

2024

Salmon People, Arten Festival, Hof Narr, Switzerland

Recital With a Forest, (Branching Songs Ensemble), July 20, Stanley Park Ecology Society, Vancouver, Canada

Tales from the Bird Park, and Crow Stone Tone Poem, group exhibition “Near Dwellers as Creative Collaborators”, Street Road Artist Space, curated by Daphne Plessner

Tree Earth Sky,  VR (part of the Wild Empathy collaboration), Gender Equity in Film Festival, Vancouver

Branching Songs soundscapes, La Semaine du son Canada, Montréal, diffusion d’ambiances sonores avec Simone D’Ambrosio et Charles Montambault

2023

Bird Park Sessions, album produced by Sawyer Spaces

ephemeral stream, collaboration with Lara Felsing, commission by The Only Animal for Thousand Year Theatre

Branching Songs, exhibition, Sunshine Coast Arts Council and Vancouver New Music, Sechelt, Sunshine Coast, June 23-Aug 13, 2023

Recital With a Forest, interventionist sound art performance (by Branching Songs Ensemble, part of Branching Songs), Sunshine Coast Arts Council and Vancouver New Music, Tuwanek Springs Forest, Sunshine Coast, May 20, 2023

Rehearsal for a Forest, sound art performance (by Branching Songs Ensemble, part of Branching Songs), New Media Gallery, New Westminster, April 29, 2023

2022

Tree Earth Sky,  VR (part of the Wild Empathy collaboration), New Adventures in Sound Art, South River, Ont.

EPIC_Tom++, collaboration with Simon Overstall and Vancouver New Music, Integrated Motion Studio, Emily Carr University

2021

EE—electro-emergence, with Vancouver New Music, Integrated Motion Studio, Emily Carr University

Sound of Tree Rings, (part of the Wild Empathy collaboration with Simon Lysander Overstall), Science World BC, Vancouver

Bird Park Sessions, BC Studies Soundworks, (with essay “The Bird Park Sessions” in BC Studies No. 208: Winter 2020/21.)

2020

Crow Stone Tone Poem, score performed by Giorgio Magnanensi, Vancouver New Music, Polydimensional scores“, 2020.

Tree Earth Sky, VR (part of the Wild Empathy collaboration) exhibition “Our Ancient Forests“, Sunshine Coast Arts Council gallery, curated by Sadira Rodrigues.

“Who Are You Hearing Me?” featured in the Becoming Plant podcast by Camilla Nelson on Soundart Radio UK.

“Bird Park Survival Station”, online group exhibition Co-Vid-EO curated by Laura Lee Coles.

“My mission…” self-representation, NewMediaFest 2020 wow retro, curated by Agricola de Cologne.

2019-20

Tree Earth Sky“,  VR (part of the Wild Empathy collaboration), Science World BC, Vancouver

they speak in whispers“,  mixed media immersive art (part of the Wild Empathy collaboration), Science World BC, Vancouver

“Ancient Tree”,  video installation (part of the Wild Empathy collaboration), Science World BC, Vancouver

2019

“EPIC_Tom”, (performance), Interactive Art, Science and Technology, in association with “Living Things Festival“, Mary Irwin Theatre, Kelowna, BC

2018

“*glisten) HIVE”, Digital Animalities, curated by Matthew Brower and Giovanni Aloi. CONTACT Gallery and John B. Aird Gallery, Toronto

“Salmon People”, Endangered Species: Artists on the Front Line of Biodiversity. Curated by Barbara Matilsky. Whatcom Museum, Bellingham, WA, USA

“Y-T-B-T” June 27, The Thirteenth International Conference on the Arts in Society, RBC Media Gallery, Emily Carr University.

“Bog”, Tiny Disasters (Jan 26 performance), Time, Light + Sound Series, Emily Carr University.

“EPIC_Tom”, (performance), “Time, Light + Sound Series”, Emily Carr University, Vancouver with musicians—DB Boyko and the VOICE OVER mind Choir.

“Biophilia”, (performance),“Time, Light + Sound Series”, Emily Carr University, Vancouver with musicians—DB Boyko and the VOICE OVER mind Choir.

2017

“Biophilia”  The Western Front, curated by DB Boyko, for the International Society of Contemporary Music, World New Music Days, Vancouver.

“EPIC_Tom”, (performance): with musicians Andrea Terpenkas and Jim Bennett, “Shadbolt Seminar 2017: Arts, Criticism & the City”, Simon Fraser University

“Animals Reading Group”, (monthly relational events), in collaboration with the Vegan Congress, Simon Fraser University.

2016

“EPIC_Tom”, (performance) with musicians Erkki Joutseno (drums) and Grisell Mcdonal (standing bass), Pixelache Festival: Interafaces for Empathy, Helsinki.

“EPIC_Tom”, (exhibition) curated by Brenda Cleniuk. A new commission by Neutral Ground Contemporary Art Forum, Regina.

“EPIC_Tom” (performance) with members of the Regina Symphony Orchestra—Simon MacDonald violin, Simon Fryer cello, Marie-Noelle Berthelet flute—curated by Brenda Cleniuk, Neutral Ground Contemporary Art Forum, Regina. May 21.

“Animals Reading Group”, (monthly relational events), Vegan Congress, Simon Fraser University.

2015

“Salmon People”, (solo exhibition), Surrey UrbanScreen, Surrey, Canada.

“Salmon People”, (solo exhibition), Videographe, Montreal. Curated by Brenda Cleniuk, Neutral Ground Gallery, Regina, Canada

“How Vegan Are You?”, (exhibition) in collaboration with Vegan Congress. Mar 17-21, Abe Rogatnick Media Gallery, Emily Carr University.

“Compassion Manifesto”, (relational event) in collaboration with Vegan Congress, Mar 19, Abe Rogatnick Media Gallery, Emily Carr University.

“Compassion Fashion”, (relational event) in collaboration with Vegan Congress Mar 18, Abe Rogatnick Media Gallery, Emily Carr University.

“How Vegan Are You? Photo Booth”, (relational event), in collaboration with Vegan Congress, Mar 17, Abe Rogatnick Media Gallery, Emily Carr University.

“Vegan Tea Party”, (relational event) in collaboration with Vegan Congress, with live coding by Jesse Scott, Mar 16, Abe Rogatnick Media Gallery, Emily Carr University.

2014

“Canine Haiku 1: Yellow Ball”, (performance). Flow and Fracture from North America to Europe and Beyond: Reflections, Refractions and Diffractions within the Ecopoetic Avant-Garde, Université Libre de Bruxelles, Belgium

“Wild Co-Existence”, (information panel) in collaboration with Vegan Congress, with Sara Dubois/BC SPCA, Dave Shishkoff/TheVictoriaVegan, Dan Straker/Stanley Park Ecology Society, Marcy Potter/ The Association for the Protection of Fur-bearing Animals. Oct. 15, Intersections Digital Studios, Emily Carr University.

*glisten) HIVE,” (group exhibition) Urban BeeingŠkolská 28, Prague, Czech Republic.

“EPIC_Tom” (performance) with the Vancouver Experimental Theremin Orchestra, curated by Wynne Palmer, Aberthau Mansion, Vancouver

“EPIC_Tom” (performance), Interactive Futures ’14: More-Than-Human Worlds, Vancouver

“Scratch Theremin” (performance), with Vancouver Experimental Theremin Orchestra, VIVO Open House, Vancouver

Milk + Kindness“, (relational event) in collaboration with Vegan Congress, with Maria Lantin and Trudy Chalmers, April 2, Intersections Digital Studios, Emily Carr University

Love + Chocolate“, (relational event) in collaboration with Vegan Congress, with Emma Smith/Zimt and Greg Hook/Chocolate Arts, Feb 26, Intersections Digital Studios, Emily Carr University

Vegan Tasting with Preet Marwaha, (relational event) in collaboration with Vegan Congress, Jan 22, Intersections Digital Studios, Emily Carr University

2013

“Rockstar”(screening) “our animal others”, Fabulous Festival of Fringe Film, Durham, Ontario

“Rockstar”, (group exhibition) Beyond Human: Artist Animal Collaborators, Peabody Essex Museum, Salem Mass.

“Scratch Theremin” (performance)with Vancouver Experimental Theremin Orchestra, 2000 Meilen Unter Dem Meer, VIVO, Vancouver

2012

“Bikeride”, (group exhibition), Taking Time, Surrey Urban Screen, Surrey Art Gallery, Surrey, Canada

“*glisten) HIVE”, (group exhibition), Information, Ecology, Wisdom, The 3rd Art and Science International Exhibition, Beijing

“Rockstar” (screening), performance, platform. body affects,  Sophiensaele, Berlin

“Screen Tests” (group exhibition), Vanimaux, Remington/Gam Gallery, Vancouver

“Aria” (group exhibition), Facing the Animal, OR Gallery, Vancouver

“Scratch Theremin” (performance), with Vancouver Experimental Theremin Orchestra, Utopia Festival, W2, Vancouver

2011

“Scratch Theremin” (performance), with Vancouver Experimental Theremin Orchestra, Interactive Futures ’11: Animal Influence, Vancouver

“Scratch Theremin” (performance), Random Elements – a Celebration of Iannnis Xenakis, Vancouver New Music, Vancouver

“Wait” (group exhibition), Tracing Home: Selections from SIGGRAPH 2011, Museum of Campbell River, BC

“Wait” (group exhibition), Tracing Home, SIGGRARAPH 2011 Art Gallery, Vancouver, BC

“Scratch Theremin” (performance), Signal & Noise Festival, VIVO, Vancouver, BC

“*glisten) HIVE” (group exhibition), User in Flux, CHI Workshop 2011, Vancouver, BC

2010

Passages (solo exhibition), Art Gallery of Mississauga, Mississauga, ON (solo)

“Bikeride”  (group exhibition), CUE: Artists’ Videos, Vancouver Art Gallery, Vancouver, BC, curated by Daina Augaitis and Christopher Eamon

“Screen Test-Sugi” (group exhibition), CUE: Artists’ Videos, Vancouver Art Gallery, Vancouver, BC, curated by Daina Augaitis and Christopher Eamon

“*glisten) HIVE” (group exhibition), Code Live 2, commissioned by Cultural Olympiad Digital Edition, Vancouver, BC

2009

“Aria” (group exhibition), Animal House: Works of Art Made by Animals, Saw Gallery, Ottawa, ON

2008

“Dustclouds” (group exhibition), Ground Zero Redux, Helen Pitt Gallery, Vancouver

“VJ Fleet [redux]” (performance), Digital Technology and Culture, Washington State University, Vancouver, WA

“FWDrift [remix]” (performance), ACM MM 2008 Conference, Telus Science World, Vancouver, BC

2007

“AutoLounge”, (group exhibition)Intersections Digital Studio open house, Emily Carr University of Art + Design, Vanvcouver, BC

“FWDrift [remix]” (performance and exhibition), Nuit Blanche, InterAccess Electronic Media Arts Centre, Toronto, ON

2006

“VJ Fleet [redux]” (performance), SIGGRAPH 2006, International Conference and Exhibition on Computer Graphics and Interactive Techniques, Boston, MA

“FWDrift [remix]” (performance), Digital Art Weeks, Swiss Federal Institute of Technology, Zurich

FWDrift [remix]” (performance), Computational Poetics: A Logic Machines and Creative Process Gathering, Vancouver, BC

FWDrift [remix](performance), Interactive Futures Conference, Victoria, BC

2005

FWDrift [remix] (performance and exhibition),  Pace Digital Gallery, New York, curated by Will Pappenheimer

“FWDrift [remix]” (performance), Elektra Festival, Montreal, curated by Alain Thibault

2004

“VJ Fleet [redux]” (exhibition), On the Move, Digifest 2004, Toronto, ON, curated by John Sobol & Paola Poletto

“Greenroom” (solo exhibition), Surrey Art Gallery Tech Lab, Surrey, BC and Abe Rogatinick Media Gallery, Emily Carr University of Art + Design, Vancouver, BC

“Stereoscope”, (solo exhibition), Articule, centre d’artistes contemporains, Montreal, QU

“VJ Fleet [redux]” (exhibition), 7th Japan Media Arts Festival, Tokyo, Japan

“VJ Fleet [redux]” (performance), Generations on the Move, Viper Basel Festival, Basel, Switzerland, curated by Rebecca Picht & Annika Blunck

FWDrift [remix](performance), nonTVTVstation, Splintermind, Stockholm, Sweden, curated by Bjorn Norberg

2003

Slowtime Quicktime as an artistic medium, Cinematheque at le Musee di-visioniste, curated by Wilfried Agricola de Cologne

ORB//Remote: Global Scrambling, Wireless Gallery, Copenhagen, Denmark, curated by Eva Ejuve & Pio Diaz

“VJ Fleet [redux]” (exhibition), MAD ’03NET, 2nd International Meeting of Experimental Arts in Madrid, Madrid, Spain, curated by Eva Moraga

“Dustclouds” (group exhibition), Dust, curated by Sigrid Dahle, Dunlop Art Gallery, Regina, Canada

“VJ Fleet [redux]” (performance), New Forms Festival, Vancouver, Canada, curated by Camille Baker Circuit Van, Contact Photo Festival, Toronto, ON

2002

“Circuit Van”, with Christopher Kowal, SWARM, Vancouver, BC

“Dustclouds”, (solo exhibition), Gallery 44 (Project Room), Toronto

Julie Andreyev / Kelly Richardson (two person show), Robert Birch Gallery, Toronto, ON

“Stereoscope”, Optica (two person show with Thomas Kneubuhler), Gallery 44, Toronto

Moving Pictures, The Drabinsky Gallery, Toronto

2001

“TV Disasters”, (solo exhibition), Mercer Union Gallery (Platform Space), Toronto

“TV Disasters”,  (group exhibition), Signal & Noise Festival of Contemporary Media, Video In, Vancouver, BC

“Stereoscope”, (solo exhibition), Artspeak Gallery, Vancouver, BC

1999

Noose“, New Artists / New Works: Transformations, curated by Kathryn Burns, Calgary Art Gallery, Calgary, Canada

“anamorpheus”, (solo), window installation, Richmond Art Gallery, Richmond, Canada

1998

“Thrillin Chillin Killin Chick Flick Pics”, LIC Productions Bus Shelter Installation, 800 Block Granville St., Vancouver, BC

Awards and Grants

2022

Co-investigator: “Branching Songs”, Social Sciences and Humanities Research Council Individual Connection Grant

Mentor: Apprenticeship award for research on Branching Songs Art Apprenticeship Network, Shumka Centre for Creative Entrepreneurship 

2021

Co-investigator: “Branching Songs and Resonances.” President’s Research Fund. Emily Carr University.

2020

Co-investigator: “Branching Songs.” Decolonization and Indigenization Fund. Emily Carr University.

Mentor: Apprenticeship award for research on the Bird Park Survival Station. Art Apprenticeship Network, Shumka Centre for Creative Entrepreneurship 

Principle Investigator: “Making Art with Animals: What Interspecies Creativity Reveals about Our Kinship with Nature”, Gillespie DDM Research Fund, Emily Carr University

2019

Principle Investigator: “Wild Empathy”, Social Sciences and Humanities Research Council Individual Connection Grant

Principle investigator: “Wild Empathy”, Social Sciences and Humanities Research Council Institutional Exchange Grant, Emily Carr University

Principle investigator: “Wild Empathy”, Gillespie Design Research Grant, Emily Carr University

2018

Principle investigator: “Wild Empathy”, Gillespie Design Research Grant, Emily Carr University

Principle investigator: “Bird Park”, Scholarship + Research Fund, Emily Carr University

Collaborator: “Reefs, Rituals, and Rockfish: Design for All Beings.” Gillespie Design Research Grant, Emily Carr University

Collaborator:  “Interactive Art, Science, and Technology in Western Canada”, Social Sciences and Humanities Research Council Connection Grant.

2017

Co-investigator: “More-Than-Human Ways of Knowing”, Internal Research Grant, Emily Carr University

2016

Principle Investigator: “Symbiophony”, Internal Research Grant, Emily Carr University

Travel Grant, The Canada Council for the Arts

Travel Grant, Graduate Liberal Studies, Simon Fraser University

2014

Travel Grant, Graduate Liberal Studies, Simon Fraser University

2013

Principle Investigator, GRAND AD-NODE Project Fund (seed funding), Emily Carr University

Joseph-Armand Bombardier Canada Graduate Scholarship, Social Sciences and Humanities Research Council of Canada

Provost’s Prize of Distinction, Simon Fraser University, Burnaby

Special Graduate Entrance Award, Graduate Studies, Simon Fraser University, Burnaby

Travel Grant, The Canada Council for the Arts

2012

Travel Grant, The Canada Council for the Arts

2011

New Media and Audio Art Production Grant, The Canada Council for the Arts

Public Outreach: Summer Institute, Workshop and Conference Grant, Social Sciences and Humanities Research Council of Canada

Professional Project Assistance for Media Arts Organizations, British Columbia Arts Council

2010

Travel Grant, The Canada Council for the Arts

2009

Image, Text, Sound and Technology: Summer Institute, Workshop, Conference Grant, Social Sciences and Humanities Research Council of Canada

2006

Travel Grant, The Canada Council for the Arts

Visual and Media Arts Grant, Arts Promotion Division, Foreign Affairs Canada

New Media and Audio Art Production Grant, Canada Council for the Arts

2005

Visual and Media Arts Grant, Arts Promotion Division, Foreign Affairs Canada

Project Assistance For Media Artists, British Columbia Arts Council

2004

Visual and Media Arts Grant, Arts Promotion Division, Foreign Affairs Canada

Project Assistance for Visual Artists, British Columbia Arts Council

Strategic Research Grant, Social Sciences and Humanities Research Council of Canada

Travel Grant, The Canada Council for the Arts

2003

BAFTA (British Academy of Film and Television Arts) Interactive Award (nominee)

MAD ’03NET Project Award, 2nd International Meeting of Experimental Arts in Madrid

2001

Travel Grant, The Canada Council for the Arts

2000

Creation/Production Grant, The Canada Council for the Arts

Project Assistance for Visual Artists, British Columbia Arts Council

1999

Travel Grant, The Canada Council for the Arts

1998

Graduate Fellowship, Graduate Liberal Studies, Simon Fraser University

Project Assistance for Visual Artists, British Columbia Arts Council

1997

Graduate Fellowship, Graduate Liberal Studies, Simon Fraser University

Publications

(forthcoming book chapter) “Branching Songs: Recital With a Forest as Multispecies Relating”. Spiegelhofer, Eva and Elizabeth Tabella (Eds.) Animated Wor(l)ds. University of Chicago.

2023

(video article) Andreyev, J. A. & Lantin, M. & Street, S. & Jacobsen, C. & Madsen, K. & Overstall, S. & Felsing, L. & Plisic, L., (2023) “Branching Songs”, Journal of Embodied Research 5(2): 4. doi: https://doi.org/10.16995/jer.9016

2022

(radio interview) “Making Waves: Julie Andreyev and Simon Lysander Overstall by Darren Copeland. WGXC 90.7-FM, Wave Farm, Acra, NY. Nov 13, 2022

(magazine interview) Bright, Richard and Julie Andreyev. “On a Multispecies Studio“. Other Minds edition. Interalia Magazine, Nov 17, 2022

Andreyev, Julie. “Bird Park Survival Station”. Gillieson, Katherine and Jon Hannan, editors. Occasional Papers: Creative Research at Emily Carr. Vancouver: Occasional Press, 2022.

2021

(book) Andreyev, Julie. Lessons from a Multispecies Studio: Uncovering Ecological Understanding & Biophilia Through Creative Reciprocity. Bristol, UK: Intellect Books.

(journal interview) Berland, Jody. “Jody Berland interviews Julie Andreyev + Simon Lysander Overstall”. Exhibiting Digital Animalities. Toronto: PUBLIC, 2021

2020

(journal essay) “The Bird Park Sessions” in BC Studies No. 208: Winter 2020/21. Part of DOI: 10.14288/bcs.vi208

2019

(journal article) Andreyev, Julie. “Salmon People.” Public Art Dialogue Journal, Vol. 9, No. 2, 2019, 141-163. https://doi.org/10.1080/21502552.2019.1644113

2017

(journal article) Andreyev, Julie. “Responding to Dogs.” Humanimalia: a journal of human / animal interface studies, Vol. 8, number 22, Spring 2017, DePauw University (USA). Web. Available at:  http://www.depauw.edu/site/humanimalia/

2016

(book chapter) Andreyev, Julie. “Compassion Manifesto: An Ethics for Art + Design and Animals.” Castricano, Jodey and Rasmus R. Simonsen (Eds.)  New Critical Perspectives on Veganism.  Palgrave MacMillan.
Available at: https://www.academia.edu/30838957/The_Compassion_Manifesto_An_Ethics_for_Art_Design_and_Animals

2015

(journal poem) Andreyev, Julie and (canine), Tom (2015) “Canine Haiku: Yellow Ball,” The Goose: Vol. 14 : Iss. 1 , Article 28.
Available at: http://scholars.wlu.ca/thegoose/vol14/iss1/28

2012

(catalogue essay) Andreyev, Julie. “Why Look at Animals in Landscapes?” The Reflexive Animal, SFU Gallery, Simon Fraser University, Burnaby, Canada.

(news paper article) Andreyev, Julie. “Endangered Whales and Dolphins Affected by Tankers”, The Common Sense Canadian, July 17, http://thecanadian.org/

(journal article) Easterson, Sam and Julie Andreyev. “People Respond to Images that Provide Hope.” Interactive Futures ’11: Animal Influence, Antennae, Issue 22, www.antennae.org.uk

(journal article) Andreyev, Julie. “Dog Voice: A Memoir”, Interactive Futures ’11: Animal Influence, Antennae, Issue 21, www.antennae.org.uk

2011

(journal article) Andreyev, Julie and Simon Lysander Overstall. “Wait”, Leonardo, Special Issue Volume 44, Number 4, ACM SIGGRAPH, MIT Press, Leonardo/ISAST, Cambridge, MA, US

2009

(catalogue article) Andreyev, Julie. “Animal Lover: Aria”, Art Catalogue/Computational Aesthetics 2009, Eurographics Association, Germany.

2008

(book chapter) Andreyev, Julie. “Four Wheel Drift”, Mobile Nation: Creating Methodologies for Mobile Platforms, Martha Ladly and Philip Beesley (Eds), Riverside Architectural Press, Cambridge, Canada.

(book chapter) Andreyev, Julie and Petra Watson. “Four Wheel Drift”, Transdisciplinary Digital Art: Sound, Vision and the New Screen, Randy Adams, Steve Gibson, Stefan Muller-Arisona (Eds), Springer, Berlin.

2002

(catalogue) Andreyev, Julie. “I Want More Life Fucker!” Welcome to the Desert of the Real, Concourse Gallery, Emily Carr Institute of Art, Design & Media, Vancouver.

1998

(paper) Andreyev, Julie. “The Last Seduction: Theorizing the Cinematic Female Killer”, Foundational Narratives: Proceedings from the Foundational Narratives Interdisciplinary Graduate Student Conference, Stephen Collis and Sharon-Ruth Alker, eds., Simon Fraser University, Vancouver, BC

1998

(paper) Andreyev, Julie. “The Blasphemous Image: Donna Haraway’s Cyborg Manifesto and Representations of the Cyborg in Popular Film”, The Journal of Graduate Liberal Studies, Volume III, Number 2, Spring, 1998, R. Barry Levis ed., NC State University, Raleigh, USA.

Talks, Paper Presentations, Workshops and Panels

2024

workshop leader: Branching Songs workshop. Stanley Park Ecology Society, BC

2023

artist talk: Canadian New Music Network, Vancouver, BC

workshop leader: Branching Songs workshop. Sunshine Coast Arts Council, Sechelt, BC

2022

workshop leader: Branching Songs workshop. New Adventures in Sound Art. South River, Ontario

2019

paper: “Crows and Stones” at the Art in the Anthropocene  International conference in Trinity College, Dublin, Ireland.

paper: “Making Art With Animals”, Interactive Art, Science and Technology, University of British Columbia Okanagan, in association with the Living Things Festival, Kelowna Art Gallery, BC

2018

paper: “More-than-Human Creativity”, Crossing Boundaries: IAST 2018,  Oct 25-27, University of Lethbridge.

workshop leader: “acoustic-ecological-sociability” { e a r w i n g s } workshop. The Thirteenth International Conference on the Arts in Society, Emily Carr University.

2017

artist talk: “Biophilia”  The Western Front, curated by DB Boyko, for the International Society of Contemporary Music, World New Music Days, Vancouver.

panel: “Nonhuman Animals in Media Art”, moderated by Donna Szoke, University Art Association of Canada conference.

discussant: “Radical Aesthetics of Multispecies Worlding, Eco-Art, and the Possibilities for Solidarity Beyond-the-Human in the Capitalocene”, moderated by Margaretha Haughwout, –empyre- soft-skinned space, http://empyre.library.cornell.edu/, Cornell University.

2016

paper: “How do I respond to a crow? interspecies generative indeterminacy as biophilic aesthetics”, Graduate Liberal Studies Conference, Simon Fraser University, Canada.

2015

panel: “Salmon People”, Surrey Urbanscreen, Surrey City Hall, Surrey, Canada.

2014

paper: “Dependent Co-arising: Hyperbolic Ethics in Interspecies Ecopoetics”, Flow and Fracture from North America to Europe and Beyond: Reflections, Refractions and Diffractions within the Ecopoetic Avant-Garde, Université Libre de Bruxelles, Belgium.

paper: “Applying Compassionate Interactions and Hyperbolic Ethics in Interspecies Collaborative Art”, Interactive Futures 2014: More-Than-Human Worlds, Compassionate Interactions and the Ethics of Aesthetics, Emily Carr University of Art + Design, Vancouver

2013

demo: “Scratch Theremin” part of exhibition opening for “Beyond Human: Artist Animal Collaborations”, Peabody Essex Museum, Salem, MA.

paper: “Animal Lover: Art Collaboration with Canines Tom and Sugi”, Human relations with other animals: from the home front to the wild side, Dalhousie University, Halifax

2012

artist talk: “Taking Time” Surrey Urban Screen, Surrey, Canada

artist talk: “Animal Lover”, Utopia Festival, Vancouver

2011

paper: “Animal Voice”, Interactive Futures ’11: Animal Influence

artist talk: SIGGRAPH Art Gallery, Vancouver, BC

panel: User Flux Workshop, CHI Conference, Vancouver, BC

2010

panel: International Digital Media and Arts Association Conference, 2010, Vancouver, BC

artist talk: City Centered: A Festival of Locative Media and Urban Community, San Francisco, CA

2009

artist talk: SAW Gallery, Ottawa, ON

2008

artist talk: Northbank Artists Gallery, Vancouver, USA

artist talk: Banff New Media Institute, The Banff Centre, 2008, Banff, Canada

artist talk: Ontario College of Art & Design, Toronto, ON

2007

artist talk: New Forms Festival, Vancouver, BC

artist talk: Mobile Nation: Creating Methodologies for Mobile Platforms, Ontario College of Art & Design, Toronto, ON

2006

artist talk: ISEA, San Jose, USA

artist talk: SIGGRAPH, Boston

panel: Social Sciences and Humanities Research Council of Canada, York University, Toronto, ON

artist talk: Performing Places, Helsinki

artist talk: Advanced Network Conference, Vancouver, BC

artist talk: Visual Arts Department, University of Victoria, BC

2005

panel: Banff New Media Institute, The Banff Centre, Canada

panel: Mobile Digital Commons Network (MDCN) Symposium

artist talk: BC.NET, Advanced Network Conference

artist talk: Vancouver Interactive Futures Conference, Victoria, BC

Independent Film & Video Festival, Victoria, BC

2004

artist talk: Viper Basel Festival, Basel, Switzerland

artist talk: Fine Arts Department, Okanagan University College, Kelowna, BC

artist talk: Surrey Art Gallery, Surrey, BC

artist talk: Mobility Studio, Interactive Institute, Stockholm, Sweden

artist talk: Department of Media and Communications Studies, Karlstad University, Karlstad, Sweden

artist talk: Articule, centre d’artistes contemporains, Montreal, QC

artist talk: Interactive Futures Conference, Victoria, BC

artist talk: Independent Film & Video Festival, Victoria Upgrade, curated by Kate Armstrong, Western Front, Vancouver, BC

2003

artist talk: Pre/Amble: A 2 Day Festival of Art and Psychogeography, curated by Kate Armstrong, Western Front, Vancouver, BC

artist talk: New Forms Festival, Vancouver, BC

artist talk: School for the Contemporary Arts, Simon Fraser University, Burnaby, BC

2001

artist talk: Mercer Union Gallery, Toronto, ON

1999

artist talk: Vancouver Film School, Vancouver, BC

artist talk: Muttart Public Art Gallery, Calgary, AB

1997

Conference for Masters of Arts in Liberal Arts and Sciences, San Diego State University, San Diego, USA

Bibliography (selected)

2019

Edwards, Rhys, Alison Rajah (Eds.). art after dark: 10 years of UrbanScreen. Surrey: Surrey Art Gallery, 2019.

Leong, Penny. “Other Beings, Julie Andreyev.” Espace 121 Animal Point of View, hiver/winter 2019, Montreal.

2018

Barbara Matilsky. “Endangered Species: Artists on the Front Line of Biodiversity.” Whatcom Museum, Bellingham, WA.

2017

Sun, p., Carlson, K., Bizzocchi, J., Schiphorst, T. (2017) Urban Mesh: Exploring Data, Biological Processes and Immersion in the Salmon People. ISEA2017, Columbia. http://www.isea2017.disenovisual.com

2016

Carol Gigliotti, “Salmon People”, Surrey Art Gallery, Surrey, Canada

2012

Tarah Hogue, “Facing the Animal”, OR Gallery, Vancouver

2010

Rikke Hansen, “More-Than-Human Subjects: The Work of Julie Andreyev”, Art Gallery of Mississauga, Mississauga, ON, 2010

Burke Taylor, “CODE Live Open to All”, Cultural Olympiad Digital Edition, Vancouver, BC, 2010

Daina Augaitis and Christopher Eamon, “CUE: Artists’ Videos”, Vancouver Art Gallery, Vancouver, 2010 http://issuu.com/vancouverartgallery/docs/cue_final?viewMode=magazine&mode=embed

2009

Stefan St-Laurent, “Animal House: Works of Art Made by Animals”, SAW Gallery, Ottawa, 2009

2008

Jeremy Todd “Ground Zero Redux”, Helen Pitt Gallery artist-run centre, Vancouver, 2008

2006

Art Gallery, SIGGRAPH, Boston, 2006

2004

“Generations on the Move”, VIPER Basel, Basel, Switzerland, 2004

Graham Hall, “2003-2004”, Articule, Montreal, 2004

Petra Watson, “Perceptions of Landscape and the Mobile Observer”, Surrey Art Gallery and Emily Carr University of Art + Design, Vancouver, BC, 2004

“2003 (7th) Japan Media Arts Festival Award Winning Works”, Japan Media Arts Festival Secretarist Office, Tokyo, 2004

2003

Carol Sills and James KM, “Electric Living in Canada: Interviews with Artists & Media Theorists”, Electric Living Productions, Ltd., DVD, Vancouver, 2003

Brian Massumi, “Making Art of Databases”, editorial team: Joke Brouwer, Arjen Mulder, Susan Charlton, Published by: V2_ and NAI Publishers, Rotterdam, 2003

2002

Jeremy Todd, “Optica: Julie Andreyev, Thomas Kneubuhler”, Gallery 44, Toronto, 2002

2001

Trevor Mahovsky, “Attention Machines: A Context for Julie Andreyev’s Stereoscope”, Artspeak Gallery, Vancouver, 2001
Greg Snider, “TV Disasters”, Mercer Union Gallery, Toronto, 2001

1999

Kathryn Burns, “New Artists / New Works: Transformations”, Muttart Public Art Gallery, Calgary, AB, 1999

Reviews & Interviews

2024

podcast interview: “e174 julie andreyev – more-than-human creativity“, conscience podcast, by Claude Schryer, May 30, 2024

2023

Gurney, Michael. “Deep rooted artworks go from grove to gallery” June 30. CoastReporter.

2022

Grauer, Perrin. “New Julie Andreyev Book Takes Aim at Colonial Worldviews Through ‘Multispecies’ Art Practice”. News. Emily Carr University.

2021

Dale, Anne. What the F*** is Biodiversity, podcast by Dr. Anne Dale, National Environmental Treasure

Woodend, Dorothy.  “The Art of Empathy: Many of us feel the destruction of the natural world acutely. ‘Branching Songs’ captures that, aiming to restore beauty and galvanize.” The Tyee.

2020

Smith, Janet. “Beyond notation: Emily Carr Univeristy students’ creations inspire a world of sound.” Stir: Arts + Culture. December 7, 2020

Parsons, Matthew. North by Northwest, CBC radio. Dec 29.

2019

interview: Matthew Parsons, North by Northwest, CBC radio. Dec 29.

2018

Interview: Jeremy Shepherd, “Virtual tree to nurture real empathy.” North Shore News, www.nsnews.com. Oct 3.

2017

Interview: Alexander Varty, “Julie Andreyev and Simon Lysander Overstall’s Biophilia.” Musicworks Magazine, Visions of Sound. Nov 9. https://www.musicworks.ca/visions-sound/julie-andreyev-and-simon-lysander-overstall’s-biophilia

Interview: Gerry Kowalenko, “Arts Rationale program” Co-op Radio 105.7 (aired Nov 2)

interview: Alison McDonald, “FASS News” Faculty of Arts and Social Sciences, Simon Fraser University.

2016

interview: Bec Wonders, “”From Art to Science: Finding a Place for Animals in University Education.” Animal Voices. Vancouver Co-op Radio 100.5FM or www.coopradio.org. Aug 5, 2016.

2014

review: Britt Bachmann, “EPIC-Tom: Exploring Interspecies Art”, VANDOCUMENT, www.vandocument.com, July 25.

interview: Stephen Hui, “Vegan Congress takes form at Emily Carr University of Art + Design”, Georgia Straight, January 16, www.georgiastraight.com

2012

review: Zoe Peled, “Facing the Animal”, Whitehot Magazine, July 2012, www.whitehotmagazine.com

review: Robin Laurence “Art explores its animal side at two local galleries” Georgia Straight, June 13, Vancouver

Interview:  Zoe Peled & Maegan Thomas, “Arts Report”, CITR radio, June 6, Vancouver

2011

Interview: Glenn Zucman, K beach Global Radio, Rosemead, CA, USA

Discorder, Vancouver, June 20, http://discorder.ca/discorder-magazine/index.php/2011/06/20/signal-and-noise-2011/

2010

First Local News, Rogers TV 10, Mississauga/Brampton, Sept 20

Daytime on Rogers TV, Sept 29

Julia Le, “Artist makes a passage into city”, Mississauga News, http://www.mississauga.com/what’s%20on/article/875174–artist-makes-a-passage-into-city, Sept 17

Rachel Lafo, “At the Crossroads: Cultural and International Art in Vancouver”, PublicArtReview, Issue 42, Spring/summer 2010, Forecast Public Art, Saint Paul, MN

Heidi May “Julie Andreyev: I Tweet, Therefore I Am” Canadian Art online http://www.canadianart.ca/online/reviews/2010/05/27/julie-andreyev/

Naresh Kumar, “Glisten Hive: Mapping the LIves of Animals Through Twitter”, PFSK, March 25, http://www.canadianart.ca/online/reviews/2010/05/27/julie-andreyev/

2009

“Mobile Public Art: Portable & Participatory”, PublicArtReview, Issue 41, Fall/winter 2009, Forecast Public Art, Saint Paul, MN

Jon Davies, “Animal House, Saw Gallery, Ottawa” CanadianArt Review, fall/winter 2009

“Animal Art explored in Ottawa exhibit”, Arts & Entertainment, CBC.ca, August 17, http://www.cbc.ca/arts/artdesign/story/2009/08/17/ottawa.html

Paul Gessell, “Art of the Animals: SAW Gallery’s new show is either inspired fun or beastly exploitation”, The Ottawa Citzen, Aug 1, Ottawa, ON

interview: Eric Longley, CTV Ottawa, July 31, Ottawa, ON

Mike Landry, “Animal House: Works of Art Made by Animals” Things of Desire Blogzine, thingsofdesire.ca, Volume 2 Number 6: July 30-Aug 5, Toronto, ON

Daniel Mathieu,“L’exposition Animal House”, Le monde selon Mathieu, Radio-Canada Ottawa-Gatineau, July 30, Ottawa, ON

Genevieve Turcot, “Des artistes qui ont du chien”, Journal LeDroit, July 28, Ottawa, ON

Adam Volk, “Beauty and the Beasts; Exhibition offers rare glimpse into little known world of animal artists”, Ottawa Xpress, Vol no. 16:28, July 23-Aug 5, Ottawa, ON

2008

Karl Losken, “Animal Voices”, Coop Radio, November 7, www.coopradio.org, Vancouver, BC

Michael Hatch, “Video jocks bring it on”, The VanCougar, Washington State University, Vancouver, WA;

2005

Dene Grigar, “Interactive Futures,” Leonardo on-line, March 1, http://mitpress2.mit.edu/e-journals/Leonardo/reviews/mar2005/inter_grigar.html

2004

Penny Leong Browne, “Calling all Co-conspirators – Julie Andreyev’s Greenroom”, Fuse Magazine, Vol. 7, No. 4, Toronto, ON

interview: Radio X, Basel, Switzerland, November 19

Angus Leech and Sylvie Parent, “The Stage is Everywhere; A multimedia musing about distributed online performance”, HorizonZero, Issue 13: Perform, Banff New Media Institute, Banff, Canada

Alessandro Ludovico, “Neural.it: Hacktivism, E-Music, New Media Art”, Italy, http://www.neural.it

2003

“Studiovoice Multi-media Mix Magazine”, Japan, November, vol. 335 Fiona Forbes & Michael Eckford, “Breakfast Television,” CityTV, Vancouver, August 1

2002

Thomas Hirschmann, “Generation Next”, Now Magazine, Toronto, November 21 Peter Goddard, “Tinseltown in Oils: Moving Pictures Show Alters Movie Reality”, The Toronto Star, July 25

2001

Peter Goddard, “Art Meets Reality”, The Toronto Star, September Joan Richardson, “Thrilln, Chillin, Killin, Chick Flick Pics”. Artichoke, Calgary, Spring

1998

Tia Abell, “Chick Flicks Inspire Artist”, The WestEnder, Vancouver, October 22

 

Teaching

2001 – present

Associate Professor, Emily Carr University of Art + Design, Vancouver

1998 – 2001

Visiting Faculty, Department of Fine Arts, University of British Columbia, Vancouver

1999 – 2001

Visiting Faculty, School of Continuing and Networked Education, Emily Carr Institute of Art Design & Media

1999 – 2001

Visiting Faculty, Continuing Studies Division Langara College, Vancouver

1996 – 1999

Visiting Faculty, School for the Contemporary Arts, Simon Fraser University, Burnaby, Canada

Curatorial & Community Development

2022-present

Board member, Canadian Association of Sound Ecology (CASE)

2020-present

Editorial Board, BC Studies: The British Columbia Quarterly. University of British Columbia

2015-23

Assessor, Insight Grants, Social Sciences and Humanities Research Council of Canada.

Reviewer, Humanimalia: A Journal of Human/Animal Interface Studies.DePauw University, USA, 2017. Web. http://www.depauw.edu/site/humanimalia/

2014

Artistic Director, (symposium and exhibition) Interactive Futures 2014: More-Than-Human Worlds, Compassionate Interactions and the Ethics of Aesthetics, Vancouver, www.interactivefutures.ca

2013

Founding member: Vegan Congress. www.facebook.com/vegancongress

2011

Artistic Director, (symposium and exhibition) Interactive Futures 2011: Animal Influence, Vancouver

2010 – 13

Advisory Board member, Surrey Urban Screens, Surrey Art Gallery

2009

Artistic Director, (symposium and exhibition) Interactive Futures 2009: Stereo, Vancouver,

2008

Feasibility Study for the Vancouver International Exhibition of Digital Art, Great Norther Way Campus, Vancouver, BC

Jury: Mobile Music Workshop, University of Applied Arts, Vienna, Austria

Jury: BC Arts Council, Visual Arts Grants

2005 – 2007

Co-curator (with Steve Gibson and Randy Adams): Interactive Futures Conference, Victoria, Canada

2005

Jury: BC Arts Council, Media Arts Grants

2002 – 2003

Steering Committee: Centre for Art and Technology, Emily Carr Institute of Art + Design, Vancouver, BC

1995 – 1997

Steering Committee (Student Representative): Graduate Liberal Studies Program, Simon Fraser University, Vancouver

Professional Development

2020

“Resistance and Resurgence: Confronting Anti-Black Racism in Canada,” webinar organized by Feminists Deliver, Vancouver.

“Intro to Synthesizers for Women & Non-Binary Folks,” workshop led by Victoria Gibson, VIVO Media Arts, Vancouver.

2016

“Branching Out in Somerset: Making Art with Trees”, workshop led by artists Camilla Nelson and Alex Metcalf, Somerset, UK.

2014

“Linking Awareness” interspecies communication workshop, directed by Loesje Jacob, Armstrong, BC.

2012

Processing workshop, VIVO Media Arts Centre, Vancouver, Canada

2011

Feature Story Writing, Writing + Publishing Program, Continuing Studies, Simon Fraser University

SLAB, Theremin workshop, VIVO Media Arts Centre, Vancouver, BC

2008

Digital Technology & Culture Artists in Residence, Washington State University, Vancouver, WA

Co-Production Residency: “Animal Lover”, Banff New Media Institute, The Banff Centre, Canada

2006

Mobile Music Workshop, University of Sussex, Brighton, UK

2005

Co-Production: “FWDrift [glisten]”, Banff New Media Institute, The Banff Centre, Canada

2004

MediaAiR Residency, Splintermind, Stockholm. Supported by the Nordic Institute for Contemporary Art, Helsinki, Finland

2003

Participating Artist, HUMO Master Class with Rafael Lozano-Hemmer, Linz, Austria. Supported by the EU funded project “Interfacing Realities” sponsored by V2,ZKM, C3, Kultur 2000, Arts Electronica

2002

Artist in Residence, New Media Innovation Centre, Vancouver