EPIC_Tom, interspecies audio-visual performance (approx. 30 min), 2014-ongoing.
In collaboration with Simon Lysander Overstall and Tom
—video shows an excerpt of a performance at Pixelache 2016: Interfaces for Empathy, Helsinki, Finland, September 24, with participating musicians—Erkki Joutseno on percussion, and Grisell Macdonal on standing bass.—
EPIC_Tom expands on new media performance by incorporating canine voice and movement. For this performance, the artists ask the audience to consider what a dog is experiencing the moment just before catching a ball. Could it be proto-euphoric—eager, expectant, desirous? The performance explores visualizing and sonifying, in a live setting, canine collaborator Tom’s state of mind. The performance works with movement and vocal recordings contributed by Tom in motion capture and sound studio sessions. Electro-acoustic techniques are used on the recordings of Tom’s voice to output a durational call for participating human musicians’ acoustic responses. The project is intended to be participatory where musicians from the host city contribute. The project can be exhibited as a gallery installation following a performance.
“These collaborations culminate in new media works that provide conduits into more-than-human subjectivities, activating through representational ethics an emergent aesthetic that is both process-oriented and participatory in nature.” —Penny Leong (2019)
Tom: concept, actor, vocals
Julie Andreyev: theremin performance
Simon Overstall: Max/MSP software, electro-acoustic performance
Jay White: animation of Tom
Richard Overington + Hyuma Frankowski: motion capture support
performances + exhibitions:
- 2019, Jan 9, Living Things Festival in collaboration with Interactive Art, Science and Technology, Kelowna, BC
- 2018, Jan 25. “EPIC_Tom”, performance, “Time, Light + Sound Series”, Emily Carr University, Vancouver with musicians—DB Boyko and the VOICE OVER mind Choir.
- 2017, June 7. “EPIC_Tom”, performance, “Shadbolt Seminar 2017: Arts, Criticism & the City”, Simon Fraser University, Vancouver with musicians—Andrea Terpenkas and Jim Bennett.
- 2016, Sept 24. “EPIC_Tom”, performance, Pixelache: Interfaces for Empathy, Helsinki, Finland, September 22-25, with musicians—Erkki Joutseno on percussion, and Grisell Macdonal on standing bass.
- 2016, May 25 – July 7. “EPIC_Tom”, exhibition installation curated by Brenda Cleniuk. A new commission by Neutral Ground Contemporary Art Forum, Regina.
- 2016, May 21. Performance with members of the Regina Symphony Orchestra—Simon MacDonald violin, Simon Fryer cello, Marie-Noelle Berthelet flute—curated by Brenda Cleniuk, Neutral Ground Contemporary Art Forum, Regina.
- 2014 performance with members of the Vancouver Experimental Theremin Orchestra—Wynne Palmer, Erin Brown-John, Ricarda McDonald—curated by Wynne Palmer, LocoMotoArt @ Aberthau Mansion, July 17.
- 2014 performance “Interactive Futures 2014: More-Than-Human Worlds“, Emily Carr University. Apr 24.
- 2013 performance “Beyond Human: Artist Animal Collaborations”, curated by Janey Winchell, Peabody Essex Museum, Salem, MA.
Andreyev, Julie. “Responding to Dogs.” Istvan Csicsery-Ronay (ed.) Humanimalia: a journal of human / animal interface studies, Vol. 8, number 22, Spring 2017, DePauw University (USA). Web. http://www.depauw.edu/site/humanimalia/
Leong, Penny. “Other Beings, Julie Andreyev.” Espace 121 Animal Point of View, hiver/winter 2019, Montreal.